13 October 2020

Letterpress celebration

Letterpress celebration

James Clough, Simon Esterson

Italy’s Tipoteca museum commemorates its quarter century with 25 specially commissioned posters. By Simon Esterson and James Clough
Based in Cornuda in the northeast of Italy, Tipoteca is one of the finest printing museums in the world.

1 October 2020

Twisted characters

Twisted characters

John L. Walters

Hamish Smyth’s wordmarks for Gaslit Nation and Bellingcat are memorable graphic identities for organisations that fight populism and disinformation with solid research and truth. By John L. Walters
Hamish Smyth’s identity for the Gaslit Nation podcast is a smart piece of design for a project that is playing a part in the unravelling of Trump’s presidency, writes John L. Walters.

19 September 2020

Crouwel’s institutional intuition

Crouwel’s institutional intuition

Alex J. Todd

On the first anniversary of Wim Crouwel’s death, Alex J. Todd recalls a visit to the Stedelijk Museum exhibition ‘Mr. Gridnik’
On 19 September 2019, nine days before the opening of ‘Wim Crouwel: Mr. Gridnik’ at the Stedelijk Museum, Crouwel died, aged 90, in Amsterdam, writes Alex J. Todd.

13 September 2020

Systems of nightlife

Systems of nightlife

Daniel Melfi

Over the past five years, Vanja Golubovic and Onlab Geneva have crafted several series of powerful posters for the Berlin techno club Tresor. By Daniel Melfi
Until the lockdown, Vanja Golubovic and her team designed around twenty flyers each month for Berlin’s iconic Tresor Club, writes Daniel Melfi.

8 September 2020

Font Li Beirut – harmony in discord

Font Li Beirut – harmony in discord

Nadine Chahine

Li Beirut is a unique font – made in a week by 160 type designers – to support victims of last month’s Beirut blast. Nadine Chahine writes for Eye about her Letters of Hope project
On Tuesday 4 August 2020, villages and towns to the north, east, and south of Beirut began to report a big explosion, writes Nadine Chahine.

4 September 2020

Artificial sunshine

Artificial sunshine

Justin Burns

Illuminated lettering signals entertainment and escapism by the sea. The fifth in Justin Burns’s series about coastal graphic design
If we take away the bright lights is there a place? The Blackpool Illuminations first lit the Lancashire seafront in 1879 when they were described as ‘Artificial Sunshine’, and remains an annual event every autumn, writes Justin Burns.

1 September 2020

David King: Ranged Left!

David King: Ranged Left!

Eye editors

Eye’s next Type Tuesday, ‘David King: Ranged Left!’ will celebrate the life and work of David King (1943-2016) 
Please join us for the next Type Tuesday at 6pm (British Summer Time) on 8 Sept 2020. This online event marks the publication of Rick Poynor’s new book David King: Designer, Activist, Visual Historian (Yale), designed by Eye’s Simon Esterson. 

30 July 2020

A matter of (sour) taste

A matter of (sour) taste

Gabriela Matuszyk

The Slavs and Tatars collective makes satirical exhibitions and installations that use pickling as a metaphor. By Gabriela Matuszyk
‘Pickle Politics’ is an eight-work cycle from collective Slavs and Tatars, writes Gabriela Matuszyk.

20 July 2020

Pier review

Pier review

Justin Burns

Decorative typography and lettering evoke the halcyon days of the British seaside. The fourth in Justin Burns’s series about coastal graphic design
Lettering, typography, and accentuated three-dimensional signs dominate the British coast, writes Justin Burns.

15 July 2020

Fill the white space

Fill the white space

Jan Middendorp

‘À propos’, Anette Lenz’s first major exhibition in her homeland, is an immersive, virtuoso response to Richard Meier’s MAK building in Frankfurt. By Jan Middendorp
After a two-month Covid-related delay, one of the most remarkable exhibitions of a contemporary graphic designer’s work has now opened at Museum Angewandte Kunst (‘applied art’), aka MAK, in Frankfurt / Main, writes Jan Middendorp.
 
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