Epilogue Press’s Flatland re-interprets the 1884 classic for the age of popular science. Review by Kevin J. Hunt
Flatland is a cult novella by Edwin A. Abbott, first published in 1884, a classic situated somewhere between fringe populism and elite literature. It playfully (and earnestly) combines mathematics and morality in an inspired piece of conceptual storytelling, writes Kevin J. Hunt.
At Chelsea College, London – an evening about reportage illustration on Wed 22 February 2017.
This informal event features illustrators Lucinda Rogers and Olivier Kugler talking about their work, plus curators Isabelle Bricknall and Olivia Ahmad on the legacy of the late Jo Brocklehurst, followed by a panel discussion chaired by Prof. Neil Cummings of Chelsea College.
Unit Editions’ second book about Herb Lubalin zeroes in on his ‘expressive typography’ and his gifted collaborators
Unit Editions’ Herb Lubalin: Typographer is a slimmer, more compact volume than the publisher’s popular blockbusters on Supergraphics, Henrion and Lubalin himself, writes John L. Walters.
Edward Ardizzone’s humanity comes to the fore in a new monograph, and a retrospective at London’s House of Illustration. Review by Clare Walters
Edward Ardizzone (1900-79) was one of the foremost and most prolific artists of mid-twentieth century Britain, writes Clare Walters. His contemporaries included Edward Bawden, Pearl Binder, Eric Ravilious and John Piper – the latter two of whom were, like Ardizzone, official war artists during the Second World War.