Harry Woodgate’s science-driven illustration and design for A People’s Manifesto for Wildlife creates a human connection for its readers
In the long history of manifestos, many are as visually engaging as they are strong in their rhetoric. So when Chris Packham decided to publish A People’s Manifesto For Wildlife, he turned to illustrator and designer Harry Woodgate to help with his vision, writes Nigel Ball.
The third edition of Torino Graphic Days, a ‘visual design festival’, shows the playful side of visual communication
In just two years, Torino Graphic Days (TGD) has developed into an ambitious and wide-ranging international ‘visual design festival’, writes Andrew Robertson.
100 Archive presents graphic design from Ireland, together with work made by Irish designers worldwide. By Aideen McCole
Several years ago a group of Dublin graphic designers decided to create the online platform 100 Archive, writes curator Aideen McCole.
What next for AGI? Outgoing and incoming presidents Nikki Gonnissen and Dean Poole talk to Eye about their graphic design ‘club’
This week, the Alliance Graphique Internationale, aka AGI, has been meeting in Mexico City for the annual Congress and AGI Open, the former just for members, the latter a star-studded (and now sold-out) public conference from 28-29 September 2018.
Karlssonwilker, Ultramarine’s new 7", Forme 01, Good Trouble, Good Chemistry Brewing’s branding and Design For Today
Here are a few things that caught our attention in recent weeks.
Steven McCarthy reports from Kolaj Fest in New Orleans, a new international convention that takes collage seriously – as art, medium and process
Collage, the cutting and pasting of published images and texts, straddles a spectrum – it is deceptively easy and childlike on one hand, and complex, nuanced and able to make sophisticated visual statements on the other, writes Steven McCarthy.
The House of Illustration’s John Vernon Lord exhibition shows Lord’s extraordinary talent for magical narrative
You may be aware of John Vernon Lord’s work as a result of his long career as a freelance illustrator (which began in 1961) or through his lectures at Brighton College of Art, where he has taught illustration for nearly half a century, writes Clare Walters.
A rare insight into the ‘quietly hilarious’ advertising artwork of William Heath Robinson.
William Heath Robinson (1872-1944) was a prolific artist and illustrator whose name has entered the dictionary as a way of describing excessively convoluted processes using people and machines, writes Andrew Robertson.
A satirical, eighteenth-century revival is heading for London’s Oxo Tower Wharf. Curator Meredith Kasabian (Pre-Vinylite Society) sets the scene
This August the Pre-Vinylite Society will present a London show lasting just four days. ‘The Grand Exhibition of the Pre-Vinylite Society: An 18th Century Revival’ is a contemporary interpretation of a historic satirical exhibition, writes curator and sign painter Meredith Kasabian.
Covers for The New Yorker, Dressed in Black, Female Photographers Now, Graham Rawle’s Overland, A History of Street Photography, Rebel Voices and Brian Eno’s Light Music
Here is a selection of books that caught our attention in recent months.