The future of sign painting is female, declares Meredith Kasabian, co-curator of a new show featuring under-represented women sign painters
On Friday 8 September 2017 the work of more than 60 women sign painters from nine countries will descend upon Chicago in the world’s first exhibition of hand-painted signs made exclusively by women, writes co-curator Meredith Kasabian.
A report from the informal annual gathering of signwriters, pinstripers, calligraphers and other lettering experts. By Helen Ingham
Last month the ‘Letterheads’ met for their annual meeting, which this year took place in Oslo, Norway, writes Helen Ingham.
A-B-Z-TXT is an intensive, four-day getaway, a summer school that blends graphic design with media arts and a dash of linguistics
What is a design school? A silly question, of course, writes Michèle Champagne, but one prompted by the massive growth of art and design programmes at universities and the strict disciplinary boundaries that still haunt them.
Custom Lettering of the 20s and 30s, Word Disco, Type is Beautiful, Type Tells Tales and Johnston & Gill: Very British Types
Here are a few typographically oriented books that caught our attention in recent months.
Emigre specimens, Sunday Clarendon, Sinem Erkas, drawing type, from sketch to screen and Fontsmith’s TypeNotes
Here are a few type and lettering things – books, magazines, alphabets – that caught our attention in recent weeks.
This year’s European Design Awards ceremony was held in the city of Porto, which is about to launch an international design biennale
Last weekend, designers from all over Europe converged on Porto for the European Design Awards (EDA) ceremony. The EDA has been running for the past decade, and now attracts entries from 34 countries, writes John L. Walters.
When the world is in flux, book design offers ‘a refuge of certainty’. Andrew Howard explains why he founded the Porto Design Summer School
There is a particularity about the education system which we take as given – that students, from infant school to university, are grouped together according to their age and experience, writes Andrew Howard.
De Worde, Span, Cashcow Oblique, Bad Decisions and Oz magazine
Here are a few things that caught our attention in recent weeks.
For the past 28 years, Barrie Tullett has been making a typographic Dante, a project to illustrate all 100 Cantos of the Divine Comedy with letterpress, typewriters and Letraset. He is still in Purgatory … and on show in Dublin.
Appropriately enough, my love affair with typography began with a Lonely Hearts Ad, writes Barrie Tullett.
A letter from Eiichi Kono to the designer of Johnston Sans, the famous London Underground typeface
Dear Mr Edward Johnston May I take the liberty of introducing myself so that I can bring you up to date on the fate of your typeface?