Offset’s first Sheffield conference bought together artists and designers for two days of engaging presentations and lively panel discussions
Last month, a host of speakers from across the design industry came to present their work for Offset Sheffield 2016. Here we publish the first of two reports … written by final-year students at Sheffield Institute of Art’s Graphic Design and Illustration course.
This poster exhibition is a powerful statement about women as global agents of social change. Marika Preziuso reviews ‘Women’s Rights are Human Rights’ in Boston
The exhibition ‘Women’s Rights are Human Rights’ aims to inform international public opinion on all the important intersections between women’s rights and human rights, writes Marika Preziuso.
When War is Over, Drawn in Stereo, George McGovern & The Democratic Insurgents, The Big Adventure of a Little Line and Money
Here are a few books that caught our attention in recent weeks … each reviewed in no more than 140 characters.
‘Björk Digital’ frames the singer’s music in an intimate, uncanny experience
‘Björk Digital’ is a remarkable and intimate way to experience a collection of songs, writes Kevin J. Hunt.
Many great projects would never exist without one person’s unreasonable obsession. Did any publisher ever think that what the world needs now is a book about the coffee houses of Wellington, 1939-79? Or commission a focus group to test it?
Ron Arad’s Roundhouse installation is an immersive 360-degree cinema for artists’ films
Ron Arad’s Curtain Call is part art installation, part immersive cinema, writes Janet South.
Children’s picturebooks from Soviet Russia. Clare Walters reviews A New Childhood at the House of Illustration
Anyone interested in Russian graphic design and illustration of the early twentieth century, or in the history of children’s picturebooks, will find the current exhibition at the House of Illustration fascinating, writes Clare Walters.
Visual poetry crashes into the 21st century in all its brutal beauty. Jeremy Noel-Tod reviews The New Concrete (Hayward Publishing)
The original postwar ‘concrete poetry’ movement, with its aspiration to a utopian ‘supranational’ poetry of untranslatable symbolism, was characterised by an emphasis on type in white space: the flat material surface of ‘rigid, non-sensuous’ printed language, writes Jeremy Noel-Tod.
Wallace’s Road Wallah, Claridge’s East End, Graham’s The Whiteness of the Whale and Connew’s Body of Work
Here are a few photobooks that have recently caught our attention … each reviewed in no more than 140 characters.
Giambattista Bodoni was a pioneer, a polymath and a perfectionist printer. Robert Hanks reviews a new book about the man behind the typeface
Anybody with an interest in typography will have come across the name Bodoni; but the reasons for his fame are more obscure, writes Robert Hanks.