Eye Magazine | Author | Abbott Miller

Abbott Miller

Recent articles by Abbott Miller

California is a state of mindIssue 90, Summer 2015
Review

                                                Rendered, on the cover of Metropolis’s American edition, in iridescent foil and set against a…                        
From object to observerIssue 61, Autumn 2006
Feature

                                            Exhibitions blend the complexities of architectural space with the narrative concerns of book design            
Through thick and thin: fashion and typeIssue 65, Autumn 2007
Feature

                                            
	Fashion’s obsessions are mirrored in its typography, from Vogue’s femme serifs to butch Chanel and the hybrid YSL logo            
Let’s not forget about cultureIssue 13, Summer 1994
Review

                                                The TEDS conference, ‘information architect’ Richard Saul Wurman’s fifth technology/entertainment/design extravaganza, was a mixture of…                        
Alchemy of layoutIssue 51, Spring 2004
Feature

                                            Walter Pamminger champions the potential of design to create content             
Pictures for rentIssue 14, Autumn 1994
Feature

                                            
	Stock photography receives little attention and wins even fewer awards, but it makes up a corporate vernacular that informs almost all levels of graphic design            
Reputations: Fabien BaronIssue 18, Autumn 1995
Feature

                                            
	‘Putting too much interpretation into design is not good … For me, the reasons behind it are more primitive than philosophical or sociological’            
First Things First Manifesto 2000Issue 33, Autumn 1999
Feature

                                            Thirty-three visual communicators renew the 1964 call for a change of priorities            
Word artIssue 11, Winter 1993
Feature

                                            In post-war art the visual and the literary have blurred. Typography is the point at which they meet             
The idea is the machineIssue 10, Autumn 1993
Feature

                                            Style is addictive, While structure comes from within, generating form from the inside out            
What did you do in the design studio today, daddy?Issue 22, Autumn 1996
Opinion

                                            
	Graphic designers are convinced of the profession’s importance. Now they have to convince everyone else            
Quentin Fiore: Massaging the messageIssue 8, Autumn 1992
Feature

                                            
	The man who gave form to Marshall McLuhan’s ‘global village’ designed books that were both for and ahead of their time            